Percy and Red: a Dialogue
Percy: Room 5 prepares us for the transition into three-dimensional Abstract Space. A big warning. Abstract linearity has two main components: writing and time. It's easy to forget the power of the latter, and very difficult to break it. Because we are conditioned to think of the past as behind us and the future ahead.
Red: Well, that's understandable.
Percy: I know. Just keep this in mind, because to break the cognitive distortion of linear time we will jump to various points in the 4D fabric of Abstract Space. And the primary tool for this plotting is the Navigational Quadrant...let's head on in and meet it.
Red: Huh...this opening appears larger...
Percy: The Navigational Quadrant is based on the old maritime instrument that triangulates bearings off celestial bodies. I've updated it for Abstract Space, where the bodies we triangulate off are Concepts/Object pairs. Take a look up on the Big Screen. See anything familiar?
Red: So...I see the Propaganda Portal up top. And I suppose the anchor represents the paired Object -- the territory of the trade infrastructure.
Percy and Red: a Dialogue
Percy: Room 5 prepares us for the transition into three-dimensional Abstract Space. A big warning. Abstract linearity has two main components: writing and time. It's easy to forget the power of the latter, and very difficult to break it. Because we are conditioned to think of the past as behind us and the future ahead.
Red: Well, that's understandable.
Percy: I know. Just keep this in mind, because to break the cognitive distortion of linear time we will jump to various points in the 4D fabric of Abstract Space. And the primary tool for this plotting is the Navigational Quadrant...let's head on in and meet it.
Red: Huh...this opening appears larger...
Percy: The Navigational Quadrant is based on the old maritime instrument that triangulates bearings off celestial bodies. I've updated it for Abstract Space, where the bodies we triangulate off are Concepts/Object pairs. Take a look up on the Big Screen. See anything familiar?
Red: So...I see the Propaganda Portal up top. And I suppose the anchor represents the paired Object -- the territory of the trade infrastructure.
Navigation Ellipse
click on topic
SYNTHESIZE NEW CONCEPT DUALITY
Outside Mind/Inside Mind
ADHD Torus Room 14
Navigation Ellipse
click on topic
SOURCE deCODE
Response (ex-Rm13). Use HyperFlow as the central component of a conceptual frame for the mind to replace the state’s abnormal/normal duality created by ADHD.
Response. Negate the elements of HyperFlow to create an opposite. Compare with each other and my ADHD symptoms. MAGNIFY Room 14 Element 1
Observation. The negated HyperFlow elements match-up with the original negation of ADHD: Ordered Activity and Attention. This reveals it is a concept for indoor environments, which are suitable for indoor minds.
Observation. The HyperFlow elements indicate a concept for outdoor environments, which are suitable for outdoor minds.
Orientation. My ADHD “symptoms” reveal the DSM/EUCS concept is for indoor environments, which are unsuitable for outdoor minds.
Conclusion. Rename the concept of ADHD from an abnormal/normal mental duality to a duality based on environment: Outside Mind/Inside Mind.
Response. Describe my experience as an Outside Mind. MAGNIFY Room 14 Object 1
Orientation. My Outside Mind thrives in fluid outdoor settings with natural energy flows, but struggles in indoors setting structured by linear abstractions (writing, rules, time.)
Orientation. My Outside Mind triggers HyperFocus to achieve important tasks indoors. Orientation. My Abstract HyperFlow is an indoor phenomenon, but with full awareness of the external, abstract environment. It has only triggered during Information Warfare (from personal to international levels), which uses the reflected energy of writing.
Response. Can I observe Abstract HyperFlow in other humans who use the same Information Warfare techniques as I do?
Orientation. I label my techniques with the concept of John Boyd’s OODA Loop.
Response. Test the concept of the Outside Mind against John Boyd.
