Percy and Red: a Dialogue
Percy: Room 5 prepares us for the transition into three-dimensional Abstract Space. A big warning. Abstract linearity has two main components: writing and time. It's easy to forget the power of the latter, and very difficult to break it. Because we are conditioned to think of the past as behind us and the future ahead.
Red: Well, that's understandable.
Percy: I know. Just keep this in mind, because to break the cognitive distortion of linear time we will jump to various points in the 4D fabric of Abstract Space. And the primary tool for this plotting is the Navigational Quadrant...let's head on in and meet it.
Red: Huh...this opening appears larger...
Percy: The Navigational Quadrant is based on the old maritime instrument that triangulates bearings off celestial bodies. I've updated it for Abstract Space, where the bodies we triangulate off are Concepts/Object pairs. Take a look up on the Big Screen. See anything familiar?
Red: So...I see the Propaganda Portal up top. And I suppose the anchor represents the paired Object -- the territory of the trade infrastructure.
Percy and Red: a Dialogue
Percy: Room 5 prepares us for the transition into three-dimensional Abstract Space. A big warning. Abstract linearity has two main components: writing and time. It's easy to forget the power of the latter, and very difficult to break it. Because we are conditioned to think of the past as behind us and the future ahead.
Red: Well, that's understandable.
Percy: I know. Just keep this in mind, because to break the cognitive distortion of linear time we will jump to various points in the 4D fabric of Abstract Space. And the primary tool for this plotting is the Navigational Quadrant...let's head on in and meet it.
Red: Huh...this opening appears larger...
Percy: The Navigational Quadrant is based on the old maritime instrument that triangulates bearings off celestial bodies. I've updated it for Abstract Space, where the bodies we triangulate off are Concepts/Object pairs. Take a look up on the Big Screen. See anything familiar?
Red: So...I see the Propaganda Portal up top. And I suppose the anchor represents the paired Object -- the territory of the trade infrastructure.
Navigation Ellipse
click on topic
ADHD Torus Room 11
CONCEPT/OBJECT MATCH-UP
Concept of HyperFlow vs. Object of Me/Infomation Warfare
Navigation Ellipse
click on topic
SOURCE deCODE
Response (ex-Rm10.) Test updated HyperFlow traits against experience in information warfare campaigns. MAGNIFY Room 11 Object 1
Orientation. Match-Up but with major differences linked to the Setting.
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Indoor: I sat in an office and communicated orally or via email
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Abstract Energy: The sources were written documents and videos distributed via news media
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Abstract Movement: I didn’t move across energy-filled terrain, the energy flowed through me.
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Indirect Risk: Centered on abstractions (legal, contractual, monetary)
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Imprecise Tool: My client’s organization was the tool – it both perceived and emitted abstract energy. But it didn’t always mesh with the Capability (Me), which disrupted the decision-cycle.
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Flipped Mental Map: While it is still 4D, visual, networked and predictive – it is inverted: formed from the energy of information flows, and oriented with objects on the ground.
Response. Synthesize elements of HyperFlow from all four test cases into a set of definitional Components and Elements. MAGNIFY Room 11 Element 1
Response. Synthesize elements of HyperFlow into a set of definitional Components.
